
Some of the best talents in cinema are all on top of their game in “The Master”
By Wesley Emblidge
♦ Sep 22, 2012
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“Trouble with the Curve” is the furthest thing from a curveball
By Wesley Emblidge
♦ Sep 22, 2012
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Josh Radnor’s “Liberal Arts” is funny and sweet, but unfocused
By Wesley Emblidge
♦ Sep 12, 2012
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Great performances elevate “Lawless” from it’s fairly standard story
By Wesley Emblidge
♦ Aug 30, 2012
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“V/H/S” manages to make found-footage movies interesting again
By Wesley Emblidge
♦ Aug 30, 2012
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“Cosmopolis” is a little different, just like Robert Pattinson’s prostate
By Wesley Emblidge
♦ Aug 26, 2012
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“The Bourne Legacy”: Jeremy Renner needs his fix
By Wesley Emblidge and Wesley Emblidge
♦ Aug 23, 2012
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“Prometheus” Review: Polished on the outside, hollow on the inside
By Wesley Emblidge
♦ Jun 10, 2012
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Nothing can save clunky “Dark Shadows” from its own script
By Wesley Emblidge
♦ May 16, 2012
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Overlong “The Five-Year Engagement” still has fun despite runtime
By Wesley Emblidge
♦ Apr 30, 2012
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